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Theendisinpsych

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Theendisinpsych

The Heads’ Simon Price returns to his kandodo project with 'theendisinpsych';
"primitive pieces of psychedelic tuneage+years of wasted time=43 minutes of headphone bliss."

It's the follow up to the 2019 collaboration with Wayne Maskell and Hugo Morgan, Kandodo 3 – K3, but this time back  in  solo-mode. He is now relocated in Northumbria, and has recorded the  album himself in his home studio, drawing on his wide collection of music/instruments and the rural environment for inspiration.  

The new album fizzes and crackles with a verve that will activate the “turn on, tune in, drop out” sense in all listeners…

Known as the singer/guitarist of The HeadsPrice was raised in Zambia and Malawi, which left an indelible mark on him personally, and is manifest in the song titles, artwork, and name of the project. The influence is less obvious on his instrumental music, but Simon says that if there were lyrics, they'd be about animist religions, hyenas, sharks and dusty drives. Named after a Malawian supermarket that he used to shop in back in the late '80's, the debut self-titled album contains mini-sonic soundscapes that start firmly grounded and then go off into the deepest reaches of space. Along the way, Simon touches on influences as diverse as KraftwerkNeu!EnoMorriconeStoogesLoop, and Spacemen 3.
 
kandodo is for Price an exploration of tones, chords, and textures that evoke a very particular emotional response, a sense of yearning. These instrumental pieces are lyrical and evocative soundtracks with an elongated and elegant song structure. Describing them himself as "fuzzy lullabies", Simon’s pieces undulate as delicate layers are built and removed, easing the listener along a thread of melodies. This is immersive music meant to be listened to at a loud volume or in the space between headphones.

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Theendisinpsych

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The Heads’ Simon Price returns to his kandodo project with 'theendisinpsych';
"primitive pieces of psychedelic tuneage+years of wasted time=43 minutes of headphone bliss."

It's the follow up to the 2019 collaboration with Wayne Maskell and Hugo Morgan, Kandodo 3 – K3, but this time back  in  solo-mode. He is now relocated in Northumbria, and has recorded the  album himself in his home studio, drawing on his wide collection of music/instruments and the rural environment for inspiration.  

The new album fizzes and crackles with a verve that will activate the “turn on, tune in, drop out” sense in all listeners…

Known as the singer/guitarist of The HeadsPrice was raised in Zambia and Malawi, which left an indelible mark on him personally, and is manifest in the song titles, artwork, and name of the project. The influence is less obvious on his instrumental music, but Simon says that if there were lyrics, they'd be about animist religions, hyenas, sharks and dusty drives. Named after a Malawian supermarket that he used to shop in back in the late '80's, the debut self-titled album contains mini-sonic soundscapes that start firmly grounded and then go off into the deepest reaches of space. Along the way, Simon touches on influences as diverse as KraftwerkNeu!EnoMorriconeStoogesLoop, and Spacemen 3.
 
kandodo is for Price an exploration of tones, chords, and textures that evoke a very particular emotional response, a sense of yearning. These instrumental pieces are lyrical and evocative soundtracks with an elongated and elegant song structure. Describing them himself as "fuzzy lullabies", Simon’s pieces undulate as delicate layers are built and removed, easing the listener along a thread of melodies. This is immersive music meant to be listened to at a loud volume or in the space between headphones.